Pentax 6×7 and 67 and 67ii lenses, full list

Pentax 6x7

Pentax 67 was one of the most popular camera systems in the classic medium format. The cameras, lenses and accessories of the series have been on the market since 1969. The focal lengths of the lenses with the additional names Super Takumar and SMC (Super Multi Coating) Takumar range from 35mm to 1000mm. This page contains a full list of all lenses made for the system.

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The rare Beautyflex 2.8

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The Beautyflex 2.8 was the only TLR (twin Lens Reflex) camera ever to compete with the high-end Rolleiflex models of the 1950s and 1960s, the only non-Rolleiflex ever built that had a 2.8 lens. The Cantor lens on the Beautyflex 2.8 resembles the image quality of the Xenotar lenses on the Rolleiflex 2.8C.

This is a rarely seen camera. I was lucky to purchase it online a while ago and was totally amazed when I finally found one in good working condition after looking for it for over a year.

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Zeiss Ikon Super Ikonta overview

Zeiss-Ikon Super Ikonta B, 1937. The Way-Back Portrait Machine.
The Super Ikonta series from Zeiss Ikon started their life in 1934. In that year, Zeiss Ikon released three Super Ikonta cameras for the 120 format. They were remarkable cameras and continue to be so until present day. A good Super Ikonta has unprecedented image quality, they are the Rolls Royces in build quality when it comes to medium format folder cameras. 
 
The three cameras that were launched in 1934 very nicely had their own strengths and there was a model for every wallet.
 
Read on to see if the Super Ikontas fit your bill!

The modern Rolleiflex FX, FW and FT cameras

The Rolleiflex 2,8 FX

 
Rolleiflex 2,8 FX Rollei’s legendary twin-lens single-lens reflex camera with an 80mm Planar f/2.8 HFT lens, protective lens cap, carrying strap and size III filter bayonet.

The leather parts are of brown cowhide with a crocodile-like pattern. The back has chromium-plated edges that give the camera a sophisticated elegance. The logo on the front of the camera corresponds exactly to the one that adorned the Rolleiflex cameras of the thirties. The well-proven carrying strap eyelets of the earlier models have also been taken over.

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Horseman 842 Convertible, a medium format wide angle camera

Johan Niels Kuiper Fotograaf in Assen - Horseman Convertible 842 Medium Format Camera

The Horseman Convertible 842 camera was made in the early 1970s. This Medium Format camera with a 62mm wide angle lens was a novelty. It equals a 32mm or even a 25mm wide angle in the 135 format! The camera remains a rarity to this day, sometimes these cameras surface on eBay or on camera shows. Judging from serial numbers on the lenses, there were less than 5,000 cameras made.

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